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Loungeroom Lizard |
I completely agree. I hope they sped it up just a bit, too. Not so fast that Neil couldn't get the verses out...just a little faster than they usually played it. I'm thinking less ballad, more midtempo rocker. mattl |
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Addicted![]() |
Yes! We don't need another ballad in the world, when it works so much better with a rock approach. What would that stinging, singing RIFF even do to explain itself, in a ballad?
I was thinking along those lines! EDIT: If it did turn into its own new song, it should be called "SAID SO!" -- > ~ Mr. Sadly knows some of our members feel rescued by the Intriguer... |
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Addicted![]() |
Say Jamie, thanks again for pointing this out! Amazing it was published in November and I think everybody missed that mention somehow! -- > ~ Mr. Sadly knows some of our members feel rescued by the Intriguer... |
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Secret God![]() ![]() |
"Last night I went to bed with my clothes on Like I was ready for action Got the feeling that something's wrong" |
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Something So Strong![]() |
No worries Mr Sadly - Have to say, I liked the new version and am now intigued at what that will finally end up as, however give or take a few Babes and Honeys, I am very glad they went back to the original! Totally agree with the comment about the speed of the song though - saw it twice in Dublin, once high tempo and once slowed down and the high tempo wins for me every time!
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The Climber![]() |
Just had another listen to The Lucky Lola version and I actually really like it. But I also like the original version. The original is probably a more accessible pop song whilst the latter version is a nice more complex song for the musos (myself included). I'm coming around more and more to the second version - which if sods law is anything to go by means they probably scrapped it. It's a beautiful verse. Would be nice to have the two versions on record. Ultimately I am sure we all trust Neil's judgement to do what is right for the song. |
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Addicted![]() |
Betcha the verse that used to be LuckyLo is bow that launches "Archer's Arrows"!
EDIT: I have no information to that effect. I'm just hearing it in my head. With a words as arrows metaphor, the word you pull from your quiver to hit the target can go piercingly astray, and before you know it a heart has been run through with a straight line of steel-tipped wood! Just goes to show you got to watch what you "SAID SO" EDIT2: Actually I retract all that. What a trite metaphor - unworthy of Neil!! -- > ~ Mr. Sadly knows some of our members feel rescued by the Intriguer... |
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The Climber |
Mr. S, I'm literally LOL.
I haven't listened to any of these songs yet, but I'm loving all the wild speculation. You can bet I'll be revisiting this thread after I get my hands on the album. _____________________ I've been a little slow to react. |
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Addicted![]() |
I'm sure I'll be eating PLENTY of crow! However it all turns out though, like you, I love wild speculation! Some fans think wild speculation is beneath them, I think. But I find that for me at least, it's right about eye-level. -- > ~ Mr. Sadly knows some of our members feel rescued by the Intriguer... |
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Slave To Ambition![]() |
Twice If You're Lucky mystery solved:
"...Some of these 11 songs were first played at a little gig north of Auckland The Leigh Sawmill back in Feb 2008. They have been worked over on the road and transformed a few times, some all the way back to square one, it’s a good place to return, from time to time. That was the case with the song Twice If You’re Lucky, we played an alternative version, more complex and mysterious on tour then deconstructed back to original simple form in the last week of recording. I am inclined to circle the songs, looking for any bit of advantage I can find, a verse, a chord or a word to change. It's sometimes unsettling for the band but it’s my way and I’m sticking to it." http://www.mcd.ie/home/fn.php?...crowdedhouse&cat=all |
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Sacred Cow |
The other interesting Twice If You're Lucky-related tidbit from the link you posted, DUB, is that Jon Brion guests on it with "layers of sampled voice and mashed guitar." I'd *like* to think that means they have opted for a faster, noisier arrangement, one closer to the version they performed at the 9:30 club in 2008. No balladry here, I suspect! But those layers of sampled voice also mean we're in for some more changes to the song as we thought we knew it. Can't wait.
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Addicted![]() |
I'm liking how you're thinking, Watney S! It's hard to interpret it any other way.
Sounds like they reduced it back down to its irreducible core, then built it back up into a BEAST!! Can't wait to hear how it all comes together. -- > ~ Mr. Sadly knows some of our members feel rescued by the Intriguer... |
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Loungeroom Lizard |
Could the "layers of sampled voices" be a choral introduction?! Say, similar to the time they played it where they "poured out" of the audiences choral held C chord?!
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Something So Strong![]() |
I was actually just thinking this. It's likely that they recorded most or all of their 2008 shows, so might those samples actually be of those fans at the shows who sang that C note for the intro? Might some of us hear ourselves on the new album? |
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Pitied Rhino |
really looking forward to hearing the 'finished' (if it really ever is) version of this song. the solo acoustic version played last night at Bush Hall will take some beating
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Secret God![]() |
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Addicted![]() |
Wow!
It's always kind of strange to hear a song stripped back to just piano and vocal. Does that automatically make a song sound more sad or what? The lyrics are very different, and the structure - we'll have to wait for the full-band arrangement, of course, but while it does seem to be closer to the first, less-intricate version, it's also quite different. The part that was originally the verse is here serving a pre-chorus function (similar to how it did in "Lucky Lola") - it picks the song up, as it did in version two. But the song's essential simplicity that I loved in version one is still there (in this stripped-down arrangement at least). Man I can't wait to hear it on the album! Thanks for the link, BART! I can't wait to hear how it sounds with the full band. I can't make out what he's singing on the bridge. You know, I love Neil's glimmeringly abstract lyrical shimmer as much as anyone - as much as anyone here. No one else has that, no other songwriter has anything quite like what Neil does so effortlessly, so habitually. Yet every now and then, he will come shooting out straight, with something more plainspoken, heart-on-sleeve. It's a bit of a shock when he does! It's something I associate more with his big brother Tim. It's good for a songwriter to stretch a bit from what they can do comfortably and easily all day long. I need to sink into this new one a bit, let it change shape in my mind yet again. Less the shape of the song, I guess, and more the shape of the meaning, which seems very different now (though he kept a few of the babes & honeys! Ha, I find I'm unable to help but hallucinate the drums, layered guitar and layered vocals that were alluded to! And in this version, I am ECSTATIC to hear that post-bridge piano breakdown come in - which is clearly the original kick-ass riff transposed! I doubt that the album version is a piano ballad... -- > ~ Mr. Sadly knows some of our members feel rescued by the Intriguer... |
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That's What I Call Love![]() |
Are you going to abstain from 'Elephants' or have you already heard it?
_______________________ Bar the whoo-bar! |
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Addicted![]() |
I've heard it a number of times, but I kind of want to let it hit me full force, now. I listened to it about 6 or 10 times in a row and then said: let me hold off on that one. It's very pretty to say the least! But I've a feeling it can be a lot more than that. -- > ~ Mr. Sadly knows some of our members feel rescued by the Intriguer... |
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Secret God |
I want to hear Bart's song, Twice If You're Lucy. That sounds VERY intriguing
------------- "I think, ultimately, what Crowded House brings to a Neil Finn song is a sense of effortlessness." |
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